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	<title>Comments on: Red One Cameras in the wild, first stills and more.</title>
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	<link>http://createdigitalmotion.com/2007/09/06/red-one-cameras-in-the-wild-first-stills-and-more/</link>
	<description>Motion graphics, live visuals, VJing, video production, and interactive art</description>
	<pubDate>Tue, 02 Dec 2008 20:31:24 +0000</pubDate>
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		<title>By: Darren Landrum</title>
		<link>http://createdigitalmotion.com/2007/09/06/red-one-cameras-in-the-wild-first-stills-and-more/#comment-41131</link>
		<dc:creator>Darren Landrum</dc:creator>
		<pubDate>Fri, 21 Sep 2007 02:04:34 +0000</pubDate>
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		<description>I realize I might be late to this article, but I was wondering if anyone knew the word on the color space of the RED cameras. I know Panasonic has a 4:2:2 camera out now. What's the RED capable of? I can't find an answer in RED's site for some reason. It only mentions 12-bit RAW (I'm assuming 12 bits per channel, + 4 channels), which would be 4:4:4 if my muddled brain still remembers anything about this.</description>
		<content:encoded><![CDATA[<p>I realize I might be late to this article, but I was wondering if anyone knew the word on the color space of the RED cameras. I know Panasonic has a 4:2:2 camera out now. What&#8217;s the RED capable of? I can&#8217;t find an answer in RED&#8217;s site for some reason. It only mentions 12-bit RAW (I&#8217;m assuming 12 bits per channel, + 4 channels), which would be 4:4:4 if my muddled brain still remembers anything about this.</p>
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