One of the numerous 64-bit-ready processors, the Core 2 Duo E7300. Photo (CC) William Hook.

What will 64-bit mean for After Effects? Will it be worth the jump, and will your plug-ins be ready? I noted that those questions had some people concerned earlier this week. AE Product Manager Michael Coleman writes in with a few thoughts on that. From comments:

We have spoken with most of the AE plug-in developers and almost all of them are preparing updates that will run on 64-bit After Effects. Most will be available around the same time as After Effects. We’ve been actively working with them to make it as easy as possible to do the updates.

We are always looking for ways to improve performance in After Effects and 64-bit significantly raises the bar. It’s also good to remember that plug-ins will also benefit from being 64-bit. Maintaining support for 32-bit plug-ins would likely slow the transition to 64-bit and create constraints to performance improvements. In the history of After Effects, we’ve never forced this kind of transition, and we made this decision very carefully. In the case of 64-bit, it is clear that making this transition quickly brings the most benefits to After Effects customers.

I was curious, given my experience using “bridge” plug-ins on the audio side, whether that sort of 32-bit compatibility layer was relevant in a 64-bit host when using visuals. I asked if such a thing had been considered, or if there was a reason it didn’t make sense. (One possible reason I might argue against such a thing is that encouraging 32-bit compatibility allows those plug-in developers to avoid porting to 64-bit, and reaping the performance and memory gains that are the whole point of making the move in the first place.)

Michael’s follow-up to me via email answered that question and then some:

Let me fill in some details for you: We looked at the situation from many angles. We understand we’re creating a small amount short term pain, but we feel it’s minimal given the performance benefits we’re seeing.

It’s not directly comparable to other 64-bit transitions. For many years After Effects has been proud of our ability to insulate our plug-in developers from platform changes. It has been extra work for us to do this, and it has been worth it to make things easy for them. When it comes to 64-bit, we were faced with the prospect of adding an additional layer of “insulation” and also converting the old layers. It was actually more efficient for us to spend our engineering time helping other developers with their updates rather than converting this old stuff to 64-bit. So that’s what we’re doing.

So while it is technically possible, we had to look at the cost/benefits of doing so. And as I mentioned, we also looked at the drag it would create on the 64-bit transition. I can tell you that customers are worrying more about this than plug-in developers. Most are on board.

We also know that people want a few other features and we have some awesome stuff in the works!

This will be an excellent version of AE!

Thanks, Michael. Obviously, we know the team behind the tool is going to be somewhat biased (actually, I would hope so). At the same time, it’s invaluable to get the perspective inside the development process. And this confirms what readers here said, whatever jitters would-be upgraders may have. Even the author of the last post, Sébastien Périer, wrote in to note that he was simply pointing out what was necessary to make the upgrade leap. And that kind of awareness and education is indeed important, whatever you decide best fits your creative work – even if that happens to be not upgrading.

  • http://www.willcopps.com Will

    Did they say anything about Audition? I'm hesitant to stay with a DAW that seems all but abandoned.

  • Peter Kirn

    Will, that'd be a different team, so no. If I hear an official announcement, I'll let you know. I like Audition, too, so I'll listen. At least WaveLab and SoundForge continue to be actively developed.

  • http://www.willcopps.com Will

    Thanks Peter!

  • zambari

    I just hope that in this version they will finally add layer grouping/folding (as an alternative to pre-comping which is far from ideal). Photoshop has got it, Illustrator has got it, even MOTION has got it (in a really good implementation actually), yet AE just doesn't and it gets frustrating.

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