palmtrick

Editorial

Misdirection is an art practiced by magicians by which an audience’s attention is diverted from one place to another. What’s brilliant about it is that it’s not a lie. Indeed, the audience has to participate for it to work. We, the audience, watch the right hand instead of the left, because what the right hand is doing seems more interesting. The left hand is still there, in plain sight; if anyone bothered to look, they’d see the trick.

After months of obsessive campaigning, Apple scored the final blow with Jobs’ “Thoughts on Flash”. The firm has reduced important debates over open development, censorship on devices, and the future of Web standards into a simplistic dunking booth contest with Flash as the target. Adobe’s CEO called the debate a smokescreen. Adobe has their own biases; they want to direct attention away from the possibility that their flagship product stands to lose market share in the shakeup over the future of the Web. But that’s Adobe and Apple. What matters more is that the rest of the technological sphere has gotten dragged into a pro-Flash, anti-Flash debate. Watching that devolve over the course of yesterday was painful, and it’s time to say something.

It’s a false debate, because it’s clear that Flash’s role in the future isn’t exactly what it was in the past. Flash has traditionally done two things: it’s been a common-denominator solution for video, and a cross-platform development framework for interactivity, animation, gaming, and other “rich” application experiences. It’s recently done those two things in the absence of any solid alternative. In the browser, the bottom line is that open Web standards are finally able to accomplish many if not most of those goals, not only for video but for interactive animation and drawing. That doesn’t mean the end of Flash development: Flash is used for everything from rich client apps outside the browser to animated television on the Cartoon Network. But it does mean a different landscape.

Focusing entirely on that issue, however – as Apple apparently dearly hopes you will do – misses other, more fundamental issues.

The irony here is, I agree with most of what Jobs said — about Flash. (I expect a lot of you are with me.) But this isn’t just about Flash. It’s not just about the iPhone and the iPad (least of which once you start using “the future of the Web” as the catchphrase.) And it’s what Jobs and Apple aren’t saying that bothers me most. Whether the misdirection is intentional or not, whether Jobs’ thoughts are heartfelt (I believe they are), that doesn’t matter. There’s a danger here of losing the plot by allowing Apple to control the whole debate.

There are serious concerns about whether Apple’s path, limiting the tools developers use and what applications can say, is the right course for digital expression. And there are real concerns about the future of video standards, and whether those will give the Internet the freedom with video that it’s had with text, images, and sound. Each of those issues is far deeper than whether or not Flash sucks.

Talking about Flash, but slamming all cross-platform development

Scoring points against Flash and its issues with reliability and performance is an easy matter. But Apple isn’t just suggesting Flash is a poor alternative. They’re blocking development with other tools, restricting developers from using other tools on their single-vendor store. Apple knows better, developers, what you should do. And Jobs goes further, to argue all cross-platform development libraries, in effect, are bad:

We know from painful experience that letting a third party layer of software come between the platform and the developer ultimately results in sub-standard apps and hinders the enhancement and progress of the platform. If developers grow dependent on third party development libraries and tools, they can only take advantage of platform enhancements if and when the third party chooses to adopt the new features. We cannot be at the mercy of a third party deciding if and when they will make our enhancements available to our developers.

This becomes even worse if the third party is supplying a cross platform development tool.

What does that mean, exactly? When is a “layer” of software “between the platform and the developer”? Jobs’ “Thoughts” still don’t offer an explanation of an issue that has confused and troubled even some of Apple’s most loyal developers. The nearest translation I can work out is that Apple doesn’t like anyone using tools other than their own.

It’s a big deal, too. Complaining about such tools is one thing. But Apple has promised – and delivered on that promise – to weed out even high-quality apps just for the sin of using such tools.

In case there’s any doubt about how sweeping this generalization on cross-platform tools, and how divergent Jobs’ thinking is from actual developer realities, read on:

Adobe has been painfully slow to adopt enhancements to Apple’s platforms. For example, although Mac OS X has been shipping for almost 10 years now, Adobe just adopted it fully (Cocoa) two weeks ago when they shipped CS5. Adobe was the last major third party developer to fully adopt Mac OS X.

The problem is, even Apple themselves don’t necessarily live up to the same standard. It took Snow Leopard for Apple to fully “adopt” Cocoa technology in the OS, and Apple’s pro apps have only just become fully Cocoa-based and 64-bit. Aside from illustrating that Jobs is sometimes unencumbered by reality in his arguments, this raises questions about the underlying thesis, that supporting cross-platform development means that you support a lowest common denominator and nothing else.

Incidentally, while its developers have assured me they’re safe, the logic itself flies in the face of even simple tools for artists like OpenFrameworks, which because of how it’s architected as a cross-platform development tool that could target the iPhone alongside a Linux desktop, or any number of other combinations. That’s just the sort of compatibility and portability I would think you’d want for creative expression and development, but the gist of Jobs’ entire rant in “Thoughts on Flash” is the opposite: proprietary, platform-specific development is always better. Apple wants apps on their platform, and not elsewhere. I can’t blame Apple, but I do have to question whether the rest of us need to accept the logic. Jobs is really clear on this point:

Everyone wins – we sell more devices because we have the best apps, developers reach a wider and wider audience and customer base, and users are continually delighted by the best and broadest selection of apps on any platform.

Of course, “everyone” wins only if they spend their cash at the Apple ecosystem. And there are casualties: while Apple makes a great case against Flash, they have less of a case against tools like the Scratch viewer, a teaching tool that allows kids to develop on desktops using kid-friendly programming schools and run their creations on the device.

Now, if this only applied to tools, it wouldn’t be so bad. Unfortunately, a topic Jobs doesn’t mention at all is why Apple is blocking certain ideas from its store, too.

Talking about Flash, but not talking about censorship

Can you say “slippery slope”? Apple’s “Thoughts on Flash” do nothing to explain how the single-vendor control of the iTunes store has apparently made Apple feel responsible for anything delivered on their device. Yes, it’s true, game systems suffer from the same (often worse) restrictions, though I’m not arguing that’s a good idea, either. The issue is drawn into sharp relief because of the number of apps and number of developers on Apple’s mobile platforms – more so as it appears this could be the future of development. (It’s telling to me that Apple is awarding only iPhone and iPad developers its coveted Apple Design Awards this year at the WWDC developer conference.)

Apple already eroded free speech on their platform by blocking pictures of people in bikinis and other PG-rated, suggestive content. As with any censorship, what makes this a dangerously slippery slope is that it mandates double standards. One bikini app is blocked, while another (Sports Illustrated) is fine. [PC World]

Banning bikinis seems overly Puritanical enough. But we were reminded that free speech is at issue this month with the case of Pulitzer Prize-winning political cartoonist Mark Fiore. The very definition of a “slippery slope” is this: once you begin blocking some things, what’s to stop you from seriously impeding free communication. The fact that the browser remains open to any content you like, including hard-core (or potentially even illegal) porn, only illustrates how pointless this whole exercise is.

If application development is important, and not just what’s in the browser, then free expression in applications ought to be important. And as for the one argument Jobs has made on the subject, that “if you want porn, buy an Android,” here’s an experiment for you. Try searching for “porn” or “naked” on the Android Market. I did, to see if in fact Jobs was right and my Droid had become a smutty wasteland. You’ll find almost nothing there. What is there has, most often, one or two stars and a lot of negative reviews. In other words, democracy wins.

So, Jobs didn’t address the fundamental issues of how development works on his company’s devices. But he did score some points against Flash in the “open” battle over the Web and video, right?

The problem is, he didn’t really address the ongoing concerns about H.264, and the reason everyone hasn’t already adopted the video tag with that codec as a standard.

Talking about Flash, but not talking about H.264′s patent problems or real open standards

Web tags aren’t really open unless there’s a standard underneath for them to serve. Early standards advocates learned this the hard way with GIF, the Graphics Interchange Format. The story goes like this: for years, GIF was adopted as a graphics encoding standard online. Sure, it was patent-encumbered and could potentially result in massive license fees – but it was free at the moment, so why should anyone worry? (Is this sounding familiar yet?) In the late 80s and early 90s, GIF was a free ride, so no one bothered to adopt an open alternative. Then, just as GIF began to peak in popularity, the folks who owned the patented technology, UNISYS, decided to change the rules. It was their right to do that, because they still owned the patent.

Ironically, GIF’s patent was far less dangerous than the patent that covers H.264, because it applied only to the LZW compression algorithm used in writing the files, not decoding them. That meant only the GIF creation tools were really at risk, from 1994 when the additional fees were announced to 2004 when the patent expired. (If you want to brush up, there’s a 2004 reprint of a 1995 story on the topic.

First, it’s important to understand that MPEG LA, the body that licenses H.264/AVC (among other things), represents not one patent owner but a pool of patent owners. Those owners set the license fees and terms. That makes licensing patented technologies easier, but as far as making H.264 the new video standard for the Web, the whole situation is more complex, not less – because any member of that pool could decide to cause trouble before the patents expire, in roughly 2025.

But I digress. There’s a bottom-line question here.

Is it possible browsers, streamers/broadcasters, and users might incur license fees for using H.264? If they did, it could threaten the freedom of video on the Web in generally, which depends on a level playing field for publishers and viewers. It could also be devastating to free and open source video production tools: not only would those tools violate the patents, but it’s possible users of those tools could be liable for fees.

The answer is relatively clear, but only through New Years’ Eve at the end of 2015. From Betanews:

As part of its response late yesterday, MPEG LA delivered a statement to multiple sources, including Betanews, announcing that the rights management firm will extend the period for which it will refrain from collecting royalties for use of H.264 in free streaming video, until the last day of 2015. The term of that royalty-free agreement was due to expire at the end of this year.
“Products and services other than Internet Broadcast AVC Video,” reads MPEG LA’s statement to Betanews, “continue to be royalty-bearing, and royalties to apply during the next term will be announced before the end of 2010.” Internet Broadcast AVC Video is the name of the patent portfolio to which H.264 belongs, when used in the context of streaming.

H.264 licensing body won’t charge royalties for HTML5, other Web streams [Betanews, February 2, 2010]

That’s an incomplete answer, though. We still haven’t seen the 2016-2025 terms, and just as importantly, the MPEG LA is very clear that users could be liable for the use of the codec. From the same article:

But in a direct, personal response to the LWN.net reader that was shared with other members, MPEG LA global licensing director Allen Harkness explained that the fact it doesn’t charge end users (viewers) royalties for downloading H.264 streams, doesn’t mean they should not be licensed to do so. Effectively, someone has to be licensed to produce the videos, and that license does incur a fee. But that license is then effectively passed downstream to the end user.
“While our Licenses are not concluded by End Users, anyone in the product chain has liability if an end product is unlicensed,” wrote Harkness. “Therefore, a royalty paid for an end product by the end product supplier would render the product licensed in the hands of the End User, but where a royalty has not been paid, such a product remains unlicensed and any downstream users/distributors would have liability. Therefore, we suggest that all End Users deal with products only from licensed suppliers.”

By the way, before you get your conspiracy theorist hats on, one of the companies that could wind up paying steep fees is Apple. Apple is just one member in the MPEG LA pool, and its liability (the number of patents for which it would have to pay) could well be greater than its equity (the patents Apple themselves own, which are far fewer in number and smaller in importance). It’s more likely that Apple’s support for H.264 is motivated by practicality, not some desire to cash in on H.264 patents. They’re already paying to be a licensee, and they’re aware of the legal ramifications of using H.264. It’s “the devil you know,” in other words.

Is there an alternative to H.264?

There are many things to like (or even love) about H.264 as a codec, but it’s a stretch to argue that H.264 is the best codec for all Web video.

On this, we can ask Adobe and get a more fair and balanced answer. Adobe added H.264 support in Flash Player 9 and Adobe AIR. If it was the solution to everything, you’d expect it would have been the solution in Flash. So why wasn’t it? David Hassoun of RealEyes Media explained in a Flash 9 tutorial on the Adobe Developer Connection:

So does this new Flash Player support for MPEG-4 and H.264 mean that it will replace the On2 VP6 codec? Absolutely not. The addition of H.264 gives developers greater choice to select the technology that best meets their needs. The current implementation of H.264 does have some limitations, such as lack of support for alpha channel and the inability to embed video into a SWF file. On2 VP6 is a solid, high-quality choice for Flash-based video projects. The On2 VP6 codec is also clear of any licensing issues that may arise with MPEG-LA. (Licensing information can be found on the MPEG LA and Via Licensing sites.) The On2 VP6 codec will remain a consistent and viable option for media delivery—see the On2 VP6 technology white paper (PDF, 140K) for more information. The added support for H.264 simply means that there are now more options and wider spread compatibility for high quality and HD video.

Apologies for my geeky Empire Strikes Back metaphor, but here’s where we’re at: OGG Theora is blasting into space, headed for a losing battle with Darth Vader. “That boy is our last hope,” says the open video movement. “No,” says Yoda, or, erm… maybe Google. Or me. Or Frank Oz. Or something. “There is another.”

If Google were to open up the video codecs it got from On2, the whole debate could change, as I wrote last week. On2′s video codecs may actually, ironically, be better suited to the job than H.264, for some of the reasons above. But most importantly, it would mean that On2 video could become a format that’d satisfy the major browsers and open and proprietary video production tools alike, without everyone risking incurring lots of fees. (One variable to explore would be this codec’s performance on mobile, though I know various parties have considered On2′s stuff as a mechanism for targeting mobile devices.)

But let me be clear: this is not just me wishing I’d gotten a job with ZDNet or going off on some personal vendetta. There are major reasons for the visualist community to care. Both this site and its sister site have long been about online freedom of expression, and about the democratic power of our connected world and its open standards. If we’re going to have the freedom to edit, produce, distribute, and consume video, having proprietary “taxes” along the way is a very bad thing. And this debate isn’t over yet. It also has far, far less to do with Flash than a lot of people currently seem to think.

Right now, though, the news isn’t good. The biggest news this week was largely ignored:

The other shoe: Microsoft and H.264

I’m not optimistic. If I had to bet right now, I’d bet on a patent-encumbered future for video. When I spoke to parties from organizations like the Mozilla Foundation at the Open Video Conference, their biggest concern was time. While the world has focused on Apple and the iPad, the simple truth of the matter is that everyone in the tech world has reached a consensus that the time for video directly in the browser, as part of HTML5, is now. So what everyone has been waiting for is support from the world’s leading desktop OS vendor and #1 browser maker: Microsoft.

I think the battle is over. Dean Hachamovitch, General Manager, Internet Explorer says that Microsoft has chosen H.264:

H.264 is an industry standard, with broad and strong hardware support. Because of this standardization, you can easily take what you record on a typical consumer video camera, put it on the web, and have it play in a web browser on any operating system or device with H.264 support (e.g. a PC with Windows 7). Recently, we publicly showed IE9 playing H.264-encoded video from YouTube. You can read about the benefits of hardware acceleration here, or see an example of the benefits at the 26:35 mark here. For all these reasons, we’re focusing our HTML5 video support on H.264.

So why isn’t Microsoft concerned about the litany of potential license issues above? That’s easy: Microsoft doesn’t need open standards. You’ll need to pay for that license somehow. So why not get locked into their proprietary operating system in the process?

Other codecs often come up in these discussions. The distinction between the availability of source code and the ownership of the intellectual property in that available source code is critical. Today, intellectual property rights for H.264 are broadly available through a well-defined program managed by MPEG LA. The rights to other codecs are often less clear, as has been described in the press. Of course, developers can rely on the H.264 codec and hardware acceleration support of the underlying operating system, like Windows 7, without paying any additional royalty.

In fact, Microsoft is better off if alternative operating systems like Linux and Android incur license fees. It means those operating systems are just a little less free, which erases some of their advantage over Windows.

Is there any hope at all? As near as I can figure, Google is now the only company with the leverage to navigate us out of this mess, thanks to the enormous popularity of YouTube and the growing popularity of Android and the Chrome Browser, plus the fact that Chrome OS is on the horizon. Time is running out, but if (this is a huge if) Google were to open up an On2 codec, then adopt it across YouTube and its mobile and browser lines, then nail implementation so well that it convinced others (particularly Microsoft) to follow. The other likelihood is that even the likes of Microsoft may privately adopt a “wait and see” approach with those MPEG LA terms. If later this year, MPEG LA either plans to hike its rates in 2016, or it doesn’t cover terms all the way to 2025, it might raise the appeal of an alternative like Google’s.

Alternatively, we can hope that the MPEG LA decide to be generous and extend free terms through 2025. If that happened, then even this patent-encumbered video format could become a major tool in the open Web. We’d effectively get the dreamworld Apple has been hinting at: an open video tag with a free video format that looks great and has wide hardware and software support. So the “happy ending”
doesn’t have to exclude H.264.

Mozilla is, in the meantime, in a tough position. Having promised not to support H.264, we could wind up in the weird situation of having to use Flash in Firefox while Chrome, Safari, and Internet Explorer all use HTML5 and H.264. It seems that could change, though, depending on how things play out. The fact that Mozilla has taken the hard line ought to suggest that there is at least some cause for concern.

Phew. There’s absolutely no way to cover this issue in a small number of words. Well, or you could gloss over the issues and pretend they don’t exist, if you’re a tech CEO.

There are other issues left out of Jobs’ “thoughts,” though.

What we can do: think different

Don’t get me wrong. As I said, Jobs’ “Thoughts on Flash” likely mirror a lot of our own. What I’m saying is that we don’t have to limit our thoughts to that debate.

Cross-platform development, freedom of speech in software, video codecs, patents, intellectual-property, Web standards: these are all complex issues. They merit more than simply scoring quick political points against one platform or another. (And yes, that includes even being too quick to dismiss Apple’s platforms and what they do right.)

This isn’t just about the iPad or the iPhone. It isn’t just about Apple. It’s about which debates we have, who frames them, and how we address them.

The point is, what we all see in our Web browsers could depend on the these issues. What the tech community thinks and decides about how development should work, about which freedoms are important for developers and which aren’t, all depend on these issues.

Mesmerizing magic tricks are a good time. But in this case, the responsibility falls on us – not Apple, on us. Fool me once…

  • http://ahsquared.com AH Squared

    Thanks for the breakdown…very informative and thought provoking. I knew something was really bothering me about Jobs' rant, but couldn't pin it down as clearly as you just did.

    I'm a long time reader who really enjoys this blog (although I mostly read cdmusic).

    Keep up the good work.

    Cheers,

    Andre

  • http://www.allanwhite.net/ Allan White

    Great analysis, Peter – good questions raised.

    For me, a content producer, the video format debate is kind of moot. I publish to a wide variety of formats, and that target will continue to shift. As a visualist, it's mostly (for me) about making content I or my team uses internally – several codecs would suffice. I really don't care what formats I use, as long as people can see my videos.

    You are right to separate out the Flash the app discussion and Flash the video discussion (less of a big deal, IMHO). Jobs' note covers a very broad array of topics, and there's lots of confusion.

  • RichardL

    Brilliant as always Peter.

     

    It looks like you're right on target.

    http://blogs.fsfe.org/hugo/2010/04/open-letter-to

    To which Jobs sent an email response:

    'A patent pool is being assembled to go after Theora and other “open source” codecs now. '

  • prevolt

    talking about cross-platform development:  wasn't the iTunes visualizer developed in Processing?

     

    It's telling that Jobs makes this move within a week of sending the cops to break down a Gizmodo editor's door (!!!) and confiscate all his computers.

     

    You make a great point here.  Jobs has made a conscious decision to misdirect public opinion, one of many over the last couple years.  The big ideas and progressive philosophies they marketed themselves with during the early OS X years were obviously a means to an end, that end has largely been reached, and Apple has become one of the bloated corporations standing in the way of open exploration and "thinking different."  Even though I'm still using all Apple hardware (for now), they've jumped the shark.  It's over.  Above all, a special one-finger salute goes out to them for all they've done to force DRM into as many things that I love as they can.  Thanks, One Infinite Loop!

     

     

  • Peter Kirn

    @prevolt:

    The iTunes visualizer was prototyped in Processing, but it was built in Cinder:

    http://createdigitalmotion.com/2010/04/meet-cinde

    I'm not going to touch the lost iPhone prototype story; that's another issue, and it's unclear what the relationship between Apple and police enforcement was in this case.

    @RichardL: That's chilling news, if accurate, and it wouldn't be surprising. I should clarify that that does not necessarily mean Apple is organizing, or even is in any way involved in, such efforts; more likely that it's a group of MPEG LA members. But my concern would be what happens to Linux, independent video editor projects, and Mozilla – are they going to wind up with huge legal bills?

    So, uh, Google, if you happen to be thinking of opening up VP8, any time now. ;) That's who I'd be writing the open letters to. I expect they won't reveal anything until they're ready to do it, if it is something they're planning.

  • http://www.adamwolinsky.com Adam Wolinsky

    Thanks for the roundup on these issues, Peter. I had no idea that H264 had any strings attached.

    As someone who creates animations and encodes with H264, my main concern was just working around the bugs inherent in the solution. Namely the Gamma Shift and Quicktime Moov atom bugs. I don't understand how the best codec out there still has bugs in it after so many years. Although perhaps this is a Quicktime/Apple issue.

    How long before the next great codec comes out that will be superior to H264 and makes all of this moot?

  • Lamar

    I think that everyone agrees that the next step is finding a good replacement for H.264.

    It's quite clear that adopting Theora would be riskier for Apple/Google/Microsoft than Firefox/Opera because of patent risks. Everyone knows the risks of adopting H.264. Nobody knows the risks of adopting Theora. Big companies worth about 200 billion dollars can't take this risk.

    Apple/Google/Microsoft are being pussies and market-whores, yeah, but I can't blame then. If the need for a safe, royalty-free, open source, open standard comes, they'll probably be the ones financing it, not Firefox or Opera, unfortunately.

    I'd love to think that those small shops are great innovators and freedom fighters, but it's too bad that they can't change reality.

    I'd really love if Theora were found to be 100% patent-free. Bigger companies would adopt it, more people would start using it and contributing to code, even paid people, there would be custom decoders for it so you can watch video on your phone and still have those 10-hours of battery life.

    Patents just suck. That's why I don't give a shit. Not that I give a shit about anything anymore. I'm all for breaking patents and pirating stuff, including the software I make, or my music, which I give away for free anyway. But that's just because I'm an individual nobody cares about.

  • Lamar

    I found that on another blog. Pretty much sums it up for me.

    "There is a big difference between Mozilla using Theora and Apple. If Apple tried to adapt it, there would be lawsuits coming out of the woodwork. Free software fans should be thankful that big companies don’t get involved. I can write the story ahead of time for you.

    Apple announces support of Theora.

    Lawyers crawl all over Theora like flies on sh**.

    Lawyers sue Mozilla first because you always want to hit a smaller target first to establish a favorable position.

    Lawyers settle with Mozilla for most of what they have.

    Lawyers target lawsuit at Apple, basically playing with “House” money from the Mozilla lawsuit.

    Lawyers win, the rest of us lose.'"

     

  • Peter Kirn

    Right, but see the links from Richard. It sounds like *someone* is getting sued or otherwise hearing from lawyers over Theora. That could mean Google, since Google is using Theora (alongside H.264) in Chrome. It could also mean the Mozilla Foundation, or Canonical, or Red Hat, or … who knows, really? Google certainly qualifies as "big enough" to be a target.

    Many parties with whom I've spoken were never convinced by the arguments that Theora was safe from patent litigation. So I'm not suggesting Theora as a working alternative. VP8 – very likely – though beyond some hearsay, no one knows Google's plans outside Google.

    But now the concern may be whether someone winds up with financial liability right now, today.

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  • whocares

    yeah, so if Jobs forces Us to leave Flash We will back about 3 years in web technology. Please give me one web language that can go throw binary data for example of bitmap or mp3, or access easly to webcam data, or importing 3d models from 3d software like maya, 3ds max, blender etc and manipulating them in 3d engine? And what about streaming like RTMP technology in flash? It's true that performance of Flash on mobile devices sucks but many times it depends from developer skills…

    And at last, every site of the day, month, year on the Favorite Website Awards is made in Flash, so…

  • Peter Kirn

    @whocares: Streaming is a separate story (server-side more than player), but WebGL can do the 3D things you're describing. So the real stumbling block remains video codecs. And WebGL isn't done. And none of this stuff is going to mean you can deploy to a critical mass any time soon. Flash remains the common denominator for most designers for those applications, whether Apple is ready to dump it now or not.

  • http://www.LawrieCape.co.uk Lawrie

    Some interesting, and certainly valid points here Peter. As a Flash developer, it's hard to not get a little over involved is these discussions.

    For me it boils down to choosing the right software for the right situation. For now at least, it seems to me that Flash will stay the only viable platform for a lot of projects. This will change as other technologies develop, but presuamably Flash will continue to evolve too.

    If I can write an app that will run as a desktop app on Win, Mac, Linux, in browser, on Android phones and (if not for the licensing issues) on iPhone and iPad – without changing a single line of code – that's a wide audience I can reach for a pretty small investment. Looks like the swathes of Flash developers who were going to deploy casual games to the iPhone will now go on to strengthen the Android app store. It should be an interesting few months.

    I know the point of this article's not really about Steve's critiscisms of Flash, but it does annoy me that many of his points or debatable or completely wrong -

    http://jessewarden.com/2010/04/steve-jobs-on-flash-correcting-the-lies.html

  • http://dontnormally.com dontnormally

    Apple happily supports Unity iPhone, a third-party development tool.

    How does that fit in with all this?