Reasons to be thankful: it seems we’re at the beginning of an explosion of projected digital imagery as medium, with the best yet to come. And some of the most compelling work right now deals with the most elemental qualities of this medium, how light and space interact.
Take the work of hc gilje. He shares some of his most recent projects, which include the elegant-looking theatrical projections at top:
I was invited by Trøndelag Teater to do a combined physical set design with video projections. It was an adaptation of the Norwegian literary classic “Fuglane” (“The Birds”) by Tarjei Vesaas, with Harry Guttormsen as director. I created an organic physical form, which combined with the videoprojection became a very dynamic landscape.
Cool as tech like Microsoft’s Kinect are, I find myself drawn to work that focuses on the sparest elements, visual etudes in form and composition. I’m particularly interested in this having been following the writing of John Maeda, whose thinking helped inspire Processing (and, by extension, OpenFrameworks and lots of other stuff).
The other work hc gilje shares to me fits some of that work. How much can you do, in rhythm and space, using only a single line?
An installation for Galleri 21 in Malmö.
A straight line moves slowly through the three rooms of the gallery space, cutting the space into different sections (snitt). The movement of the line, “attacking” the space from different angles, focus the attention of the viewer on the physical qualities of the space.
The physical properties of the galllery space (the walls, ceiling,floor, door openings, light fixtures etc) modulates/breaks up the straight line into a continuously evolving pattern of line fragments, depending on the position of the viewer and the angle of the line in relation to the architecture.
The solo show explores the concept of “line-space” — a fascinating proposition, that the one-dimensional line can define a three-dimensional volume. More in his blog post:
Conversations with spaces: snitt
If you do happen to live in a town like Malmö, Sweden, or Oslo, I imagine you’ll have quite a lot of time this season for quiet reflection, and cause to do some projecting of light – the sun spending very little of the day getting in your way. Let us know what thoughts you have, and what light you project.