VJs and visual artists remixing video have long simply grabbed what they want, when they want it. But now, the community increasingly faces a choice: will it play by the rules? The payoff could be more than moral good will or karma. If visual artists begin working with Creative Commons-licensed materials, they’ll add the incentive for other artists to remix their own work freely. And following official rules could mean the freedom to share your creative output without having to worry about navigating takedown notices or angry rights-owners. Given the importance of posting showreels to getting gigs, that could be a compelling reason to use Creative Commons licenses both when posting and downloading.

YouTube this week announced, at long last, it was supporting Creative Commons licenses officially. If you’re looking for CC-licensed content, you can now search YouTube with an ease previously reserved for rival services like Blip. And if you’re a creator, you can now publish your works under a CC license more explicitly – and benefit from all those searches. Having seen the power of this on Flickr, I imagine the results could be significant.

YouTube isn’t just taking a “build it and they will come” attitude to this, either. Integration with Creative Commons is the deepest we’ve seen yet on a major service.

  • Editor integration. Find and use videos directly from YouTube’s online editor.
  • News and public content. C-SPAN, Voice of America, and – perhaps most interestingly – Al Jazeera are working with YouTube to provide CC-licensed content. That means, for instance, the ability to create legal artwork that draws from the news. It’s doubly notable that Al Jazeera is participating, as a private, commercial news organization. YouTube promises others to follow.
  • Source video integration. See, embedded in metadata, the source videos used in editing. (I’m unclear on whether this will work outside the editor.)
  • CC-BY uploading. YouTube has chosen CC-BY “Attribution” as the default, which requires only that work be attributed. Because that attribution is stringent, though, it’s likely that if someone uses your video in a TV ad they’ll still get permission – but for now, you can’t choose even the “copyleft” CC-BY-SA.

It’s a good first step, but it’s likely that the implementation here will prompt more demands from the YouTube community. On one hand, there’s reason to applaud the step away from complex Creative Commons licensing options. As I’ve noted before, the “non-commercial” restriction, while tempting, can be vague to the point of making it impossible for anyone to make use of the license. I’ve written about that issue on Create Digital Music:

CDM and Creative Commons “Non-Commercial” Images”

Creative Commons, CBC, and Music for Commercial Use: Addendum

Generally, though, the remedy for artists is to use ShareAlike, which requires people reusing their work to use the same CC license. Without that requirement, it’s possible for someone to exploit a CC-licensed work without giving anything back beyond attribution. I’ll also be curious to learn whether organizations like Al Jazeera use the same permissive license. (If they do, and they provide ample high-quality content, it’ll be harder to argue the rest of us can’t do the same.)

Regardless, for fans of Creative Commons wanting to make use of CC-licensed materials, the change should be welcome. If you explore this license and the new YouTube functionality, let us know about it – and how it works.

More on YouTube’s blog:
YouTube and Creative Commons: raising the bar on user creativity [Broadcasting Ourselves: The Official YouTube Blog]

Thanks to Richard Lawler for the tip.

  • http://www.willcopps.com Will Copps

    This is great news! Should open up a lot, especially for VJs like myself who like using HD video. I've just started working with the people over at videopong.net (there's my disclosure!)… but I'd encourage anyone looking for VJ-geared clips and more licensing flexibility to look there! It's a really cool site.

  • http://noisepages.com/members/forresto/ Forrest Oliphant

    Looks like you can use "searchterm, creativecommons" to search for material.

  • Seaghan McKay

    When using CC licensed content in a set, I'm curious where one would find it possible to include "attribution" to the original artist.  Since a live performance does not generally incorporate rolling credits like at the end of a film, nor like small print text on a website or other publication, what opportunity is there to give the proper credit?

        I'm all for doing this of course, just very interested in thoughts from other performers interested in giving proper credit.

  • http://www.willcopps.com Will Copps

    Good question Seaghan… I often wonder that myself. I've been tempted to think of some sort of 'credits' at the end of a set, but I'd have to preplan what I'm going to show… and that doesn't link up artist name to content, either.

  • Peter Kirn

    Sounds like we need a metadata visualizing plugin to me. ;)

    Solution might wind up being more interesting than the original problem.

  • http://www.scobot.com scobot

    Ok, I had to try it – and I spent waaaaay too much time on it :) but in the end it made me laugh, so I guess that was good.

    http://youtu.be/J4fCxTzF4wY