3L has been in the wild for 2 weeks now, so I’m expecting to see some work from new users appearing online soon.

Since launch the artificialeyes crew have kept themselves busy. ExiledSurfer has been posting plenty of new content, example clips and screencast tutorials. I particularly enjoy the talking head screencast recorded from within 3L, using the Apple webcam to drop a little talking head into the preview window.

3LU Sophomore: Capture an Object + Feedback from professor thrill on Vimeo.

These videos have been collected into a Thrill University section of the site. This is being supplemented with live tutorials, the first of which happens 12 hours from now (GMT1300, Thursday) on the 3LU page (which will even remind you via email when the session is about to start). I’m going to be there to increase my 3L knowledge, it would be great to see some other CDMers as well.

There’s also a 3L channel on CDMo’s favorite online video service, Vimeo. CDM makes a little appearance in the 3L channel, as I was able to finally edit the bulk of the “3L Sessions” videos we shot with Michael in Perth last year. There’s over an hour of video in the 3L Sessions album, covering the history of 3L, and an extensive tour through the interface and capabilities of the software. Through the magic of Vimeo, these are all downloadable, so you can use them to guide your first steps with Thrill.

The response to our 3L Giveaway was amazingly extensive, and also very exciting to see the names and websites of so many visualists from around the world.

So we’ve collated all of those email addresses, and with a little help from some atmospheric noise we chose the winners.

Grand Prize (3L Pro License)

Hiltmeyer

Runners-up (3L Student/Education License)

.lov.
sull
Toby Dixon
Korhan Erel

Comment Winners

The comments response was so overwhelming that artificialeyes offered to award an additional 5 education licenses to commenters, chosen semi-arbitrarily by artificialeyes:

Winner for BEST THRILL PUN: vj decoy - VL ONLY 3L!
honorable mention: LordBanjo - 3L = Luminous Lantern Lust!

Winner for BEING 1337: nausea - in case i win the license i will make it run on my linux box:)
honorable mention: dmos.tv - finally generative synthesized visuals at our fingertips, why not try that with a mo-cap suit

Winner for BEST SENSE OF HUMOUR: Willy - and on the 7th day God said. “Damn, tomorrow’s Monday.”
honorable mention: J.E JIM - Lets do this. I want to put this software to work at church!

Winner for DREAMING THE IMPOSSIBLE DREAM: memo - another comment in the sea of comments…
honorable mention: PreyStereo - There would be only one thing I would want more than a free license to Thrill…a free license to Thrill AND a cookie. Nah, forget the cookie.

Winner for SWITCHING: vj bonk - Nice! I hope that I am picked, I have been anxiously awaiting this release for a long time, Arkaos just does not cut it anymore this seems like a step in the right direction!
honorable mention: Pao - Hi, I’m a VJ and normally using Modul8. Few days ago I managed to use this software with my ipod touch. Let’s rock!

All of the winners will receive an email with instructions directly from artificialeyes within the next 48 hours on how to register their copy of the demo version. Thanks to everyone who entered, and to those who missed out: you didn’t miss out at all, really, because the Thrill Store is now open! You can download the 3L demo and give it a spin. Congratulations to the artificialeyes team. They’ve been working their butts off, and it will be great to see what happens when 3L hits the wild.

I’m currently editing several hours of 3L footage we shot with Michael last year, so you’ll be able to have expert help when coming to terms with the software.

Enjoy, and when your 3L output starts hitting the web, please tell us about it!

We’ve been avidly following the development of Thrill for quite a while now, and are very excited to hear from Michael that the commercial release is this week. But first, a little housekeeping: As a grand opening for the 3L store, CreateDigitalMotion has 5 copies of the software to give away! Much like the Beta giveaway, the rules are simple.

Your machine will need to meet the 3L minimum specs:

2GHz or faster Intel Core processor
MacOS X 10.4.9 or later QuickTime 7.0.4 or later
2GB or more of RAM
CoreImage capable AGP, PCI Express or Intel graphics processor with at least 256MB of VRAM w/ OpenGL hardware acceleration.
Minimum Screen Resolution 1440 x 960 (which therefore excludes the macbook)

… and you’ll need to leave a comment on this post in the next 48 hours.

In return, 4 winners will receive a 3L Student - single-machine - license (worth €150) , and one will receive 3L Pro , which is a 3-machine license (worth €200) and includes native uDMX support, for controlling VMS or other DMX hardware.

After the competition closes, I have it on good authority that The Wait Is Over, and 3L will be available for all and sundry to try out and purchase with Much Abandon. I also have several hours of footage of Michael taking us on a detailed tour of Thrill at ByteMeFest in Perth last year, so I’ll be going on a mad editing binge in the hope of having this available to help out those who download the demo later this week.

In the meantime: Hit the comments, check out some samples from the 3L Loops series on archive.org, and visit the 3L site for more information.

Update: Entries are now closed. Thanks to everyone who entered. The volume and quality of comments has been overwhelming! It’s really fantastic to see all of these readers come out of the woodwork. I think we’ll have to give more things away so we can hear from you all (Software and hardware developers, you know where to contact us…).

In the meantime, winners will be announced this time tomorrow, to coincide with the 3L store launch. So if you don’t win you’ll be able to try out the demo and even buy a copy!

This just in from pixel-burninators and soon-to-be-purveyors of fine realtime 3D visual performance software, artificialeyes: VJ Loop Century seem to be claiming that 3L is their “home made realtime visual software”, which is “available as a freeware for unlimited downloads !”.

They then go on to, erm, reproduce without attribution, Peter’s “How awesome is 2008 (3L! Whoo!)” post, even though it explicitly names artificialeyes as the creators of 3L.

I’m not sure what else to say about this. Michael has plenty more though.

artificialeyes are keeping us updated on the impending release of 3L (current status: Soon), and while I’m still in “getting my studio in order” mode in the lead-up to the “2008 massive VJ geek-out and CDMoFest” and unable to play with new toys, CyberPatrolUnit has posted some great demo videos (and followup), showing us some of the places that 3L may be able to take us.

3L and Lemur at LAX from CyberPatrolUnit on Vimeo.

Exciting? Maybe a little. I still have lots of 3L video to edit from Perth last year, and I’ve promised Michael that I’ll have some videos ready for the official launch. Stay tuned!

After a little random number generation, I have the pleasure of announcing the winners of our 3L Beta Giveaway.

• Leon Grant Bussinger
• Chateau Bezerra
• eri
• Michael Hart
• Nek

Soon you’ll be gaping at this interface in awe, wondering what to do next. So I hope you’ve read the manual!

Those of you who didn’t win, don’t fret! You will soon be receiving an invitation from artificialeyes to join the 3L mailing list, so you’ll be among the first to know when the commercial release happens. Stay tuned for more 3L information as the software nears release, and those lucky Beta winners, please tell us when you have some 3L output available online for others to see!

Thanks to everyone who ran the system spec gauntlet and proudly entered our 3L Beta Giveaway. We’ll draw and announce the winners on Monday when ExiledSurfer and I have finished our respective travel itineraries.

In the meantime, for those who would like to get a head start on the 3L interface, artificialeyes have released the manual for public consumption (Download link: 1.2MB PDF).

When you open that file, you’ll be confronted with the following image.

Sage advice. artificialeyes have made some very interesting interface design choices with this software, and while they’ve packed a huge amount of control and signal flow functionality into a single screen interface, few would accuse it of being intuitive. Even with Michael and Todd showing you through the system it’s still quite confusing, and takes some time for the 3L paradigm to sink in. So for those 5 new beta testers hitting the software on Monday, getting a head start on the manual will have you blasting pixels out smoother and faster.

Good luck! As the commercial release of 3L approaches I’m sure we’ll have more exciting news coming.

Hang tight — we will have that announcement here. It’s Monday in New York for another few hours. -Ed.

It’s been 2 months since artificialeyes announced their new Mac-only visualist tool 3L ("Thrill"). The ae guys have just pushed out a new beta release, updated the 3L manuals, posted a new features page with screenshots, and the word from Michael is that the commercial release will happen as soon as they have the infrastructure in place for selling it.

To further whet your appetite, over 100 free VJ loops created with 3L have been posted to archive.org:

Free VJ LOOPS created with 3L
3L VJ Loops Series 2
Free VJ Loops created with 3L Series 3

… and leading by example, they have also released two content DVDs on VMS. These feature content generated almost entirely in 3L and are designed to be used with the VMS Video Moving Systems.

Hungry? Well, how would you like a main course of "Free 3L Private Beta" to go with that? artificialeyes have provided CDMo with five invitations to give away. The beta group is currently under 50 people, so this isn’t your average web2.0 style "put it out there and call it a beta so we don’t have to make it stable" software release.

Before you go putting up your hand, however, there are some conditions. Most importantly: You’ll need a machine which is capable of running 3L.

2.33GHz Intel based MacBook Pro or Mac Pro running:

• OSX 10.4.1 or later (leopard included)
• Quicktime 7.2 or later
• Minimum screen resolution 1440 x 900 pixels
• 2Gb RAM
• 256Mb VRAM ATI or NVIDIA video card

If you can tick those boxes, then all you need to do is leave a comment on this post (edit: Entries are now closed. Winners will be announced on Monday). Entries will be open for 72 hours, then we will randomly select 5 people to join this exclusive group of visual visionaries beating their graphics chips into submission. Those who have been chosen will receive a beta invitation, and the others will receive an invitation to join the 3L mailing list (opt-in, of course).

If you miss out, don’t fret. The pricing for 3L - €200, €150 for students - is very competitive, and I’m sure that artificialeyes will keep us in the loop on their release progress.

In case you haven’t noticed, a theme has been emerging on CDMotion: alternative interfaces geared for performance, software that expands the range of expression, and projection that gets visuals out of the 4:3-ratio box. There’s no one solution, and the expense involved in the tools covers quite the gamut. (I may have to personally start the “ghetto” guide to this stuff.)

But bringing together these elements is still essential to raising the impact of visuals. I still hear the “but the visuals aren’t as important” over and over again from people outside our field, and I think it’s a phrase that is — mercifully — doomed to extinction as visualists expand their craft.

So, one artist collective we’ve been covering is Turkey-based artificialeyes.tv. We’ve seen the Video Moving System, the automated mirror system for projection, the Vixid mixer with its matrix and multiple blend mode features (among other things), and the eyeball-scorching interface of 3L (”Thrill”) now in beta.

To see it all put together, of course, we’d really like to hit the club in Istanbul. Barring that, though, Michael from artificialeyes.tv has directed us at some images and video.

It’s really clear to me from these images how little you need lights. And in motion, with architectural effects amplifying the imagery, the projector itself can be more than just lighting effect (especially with these in motion, something you don’t get from the stills).