From an Age Before CG: Justice Video Recalls Vintage HBO Motion Graphics

Digital tech is fantastic — but I’m equally inspired by the real-for-real attitude that extended into the early digital age. Now that the French duo Justice have done a send up of a ridiculous number of early “motion graphics” (well, before they were really called that), I think there’s plenty of opportunity to get ideas for our digital world. Motioners, I have a challenge — well, two challenges, in fact:
 
1. How many retro animation spot references can you spot in this video? (The flying HBO logo being a personal favorite of mine — ah, that day when we first discovered premium cable. It was like entering the future. And you could tape stuff, too, like Fraggle Rock or whatever.)
 
2. Got any insight into how some of these original videos were produced? Computer graphics found their way into ad spots as early as the 1970s, even via the gang who would go on to found Pixar. But, of course, many productions continued to use traditional animation techniques well into the 1980s — heck, even Tron did a lot of optical work and even cel animation.
 
 
The inimitable Joel Johnson at Boing Boing Gadgets points to this video, and reader Reed Savory points out that the HBO logo was all models and traditional animation:
 
 
Here’s how they created “HBO Starship”, ca. 1983:
 
 
They don’t talk a whole lot about the actual letters, but you have to give HBO credit for making what has to be the most ridiculous — and strangely compelling — station ident ever. For me, the movies were always kind of a let-down after that — perhaps an early childhood sign that I’d get bitten by the visualist bug.

Rutt-Etra Restoration in NYC

By vade

VJ-U has posted a wonderful livecast on Operator 11 featuring the restoration of 3 Rutt-Etra raster analog video synthesizers. I was fortunate enough to be invited to check the machines out in person and have some time to try and help out. Mathew Schlanger and Benton C Bainbridge help explain the history and unique capability of the Rutt-Etra. Certainly worth a watch for those interested in the art form and unique hardware.

For those unaware of what a Rutt-Etra is, be sure and check out Audio Visualizers page on the subject. There is a lot of history with these machines, and they are still quite competent tools with a very unique look and feel.

The Vasulka Archives

By vade
Vasulka

Data Is Nature brings to our attention the Valsuka Archive, an incredible trove of early video art history, exhibitions, work, designs and circuit diagrams. Paul describes it better than I:

The Vasulka Archive is massive repository of documents from the pioneering days of electronic, computer and video art. Containing a staggering 27000 pages of scanned documents, replete with hand typed texts, circuit diagrams and skuzzy ink marks, I could spend the rest of the week perusing this stuff, believe me. The big names are here, Crutchfield, Conrad, Paik, Van der Beek, Youngblood etc - hand written correspondences to the Vasulka’s as well as reviews and even obituaries of each artist/scientist - but history is selective and remembers according to its own algorithm. Encouragingly, not only do we find artifacts from the so called key movers of the time but also an exhaustive list of lesser, and relatively unknown practitioners waiting to be (re)discovered.

Check out the The Vasulka Archive and see what has inspired every generation of video artist. From TV to film to Music Video and club style VJing, it all started with these pioneers.

Via Data is Nature.

Retro Ad: Portable Panasonic VCR, Future of Jazz Dance

In 1983, Panasonic presented a bold future of videography, one in which cameras adjusted exposure and focus all by themselves, and we would sling portable VCRs over our arm to film ourselves doing interpretive jazz dance as the sun set over the Pacific. We would have terrific legs and short shorts, and dance with the sheer exuberance auto-focus inspired … until we realized we neglected to move the tripod as the tide came in, and our expensive Panasonic gear floated out to sea.

It’s nice to hear Panasonic’s old slogan “Just Slightly Ahead of Our Time” — an atypically pragmatic marketing slogan. (Like, “Futuristic Looking for At Least a Few Months, We Think.”) Maybe even they knew this whole clunky VCR - docking station wasn’t going to catch on. Yet, I still kinda want that camera.

Via stepheno.net, a Norwegian TV and Media Production student, and TechEBlog.