Rutt-Etra Restoration in NYC
VJ-U has posted a wonderful livecast on Operator 11 featuring the restoration of 3 Rutt-Etra raster analog video synthesizers. I was fortunate enough to be invited to check the machines out in person and have some time to try and help out. Mathew Schlanger and Benton C Bainbridge help explain the history and unique capability of the Rutt-Etra. Certainly worth a watch for those interested in the art form and unique hardware.
For those unaware of what a Rutt-Etra is, be sure and check out Audio Visualizers page on the subject. There is a lot of history with these machines, and they are still quite competent tools with a very unique look and feel.
The Vasulka Archives
Data Is Nature brings to our attention the Valsuka Archive, an incredible trove of early video art history, exhibitions, work, designs and circuit diagrams. Paul describes it better than I:
The Vasulka Archive is massive repository of documents from the pioneering days of electronic, computer and video art. Containing a staggering 27000 pages of scanned documents, replete with hand typed texts, circuit diagrams and skuzzy ink marks, I could spend the rest of the week perusing this stuff, believe me. The big names are here, Crutchfield, Conrad, Paik, Van der Beek, Youngblood etc - hand written correspondences to the Vasulka’s as well as reviews and even obituaries of each artist/scientist - but history is selective and remembers according to its own algorithm. Encouragingly, not only do we find artifacts from the so called key movers of the time but also an exhaustive list of lesser, and relatively unknown practitioners waiting to be (re)discovered.
Check out the The Vasulka Archive and see what has inspired every generation of video artist. From TV to film to Music Video and club style VJing, it all started with these pioneers.
Via Data is Nature.
Retro Ad: Portable Panasonic VCR, Future of Jazz Dance

In 1983, Panasonic presented a bold future of videography, one in which cameras adjusted exposure and focus all by themselves, and we would sling portable VCRs over our arm to film ourselves doing interpretive jazz dance as the sun set over the Pacific. We would have terrific legs and short shorts, and dance with the sheer exuberance auto-focus inspired … until we realized we neglected to move the tripod as the tide came in, and our expensive Panasonic gear floated out to sea.
It’s nice to hear Panasonic’s old slogan “Just Slightly Ahead of Our Time” — an atypically pragmatic marketing slogan. (Like, “Futuristic Looking for At Least a Few Months, We Think.”) Maybe even they knew this whole clunky VCR - docking station wasn’t going to catch on. Yet, I still kinda want that camera.
Via stepheno.net, a Norwegian TV and Media Production student, and TechEBlog.





