We asked earlier this month if you’d be using Flickr for videos? Here’s one answer — and in this case, it seems perfectly-suited to the medium. Accent Creative used a short video spot — tweaked to Flickr’s microformat length constraints — as a way of promoting an upcoming event. That works nicely, as lots of people already use Flickr streams to store photos promoting events and the like.

And, of course, the Create Digital Music side of our heart loves the sound-making box that shows up in there.

Brokenbeat Night - MoGraph Promo

Here’s another example, in this case using a short video as a kind of micro-showreel:

Via the CDMo Flickr Pool - thanks to everyone for all the eye candy you’ve been sending! Why blog when I can just watch the lovely stuff you’re doing?

This really illustrates what could start to happen with media on the Web: rather than littering everything everywhere, and rather than seemingly-redundant sites interfering with one another (Flickr for video?, asked users), we get content tailored for the venue. In fact, vids like this really don’t necessarily belong on Vimeo — and likewise, I’ve come up with short snapshot videos I wouldn’t want as part of my video pool.

Promising stuff. And as video proliferates, the visualist and motion graphics artist become king. Get ready.

Those of you not on the mailing list for Resolume missed a double bombshell coming this weekend at Paris’ Vision’r VJ festival.

Big story #1: open visual plug-in standard gets hardware savvy. the official release of FreeFrameGL 1.5 will happen, hosted by Resolume’s Edwin and Bart and VJamm’s Russel. FreeFrame is already a big deal; it’s an open plug-in format for visual effects, a bit like VST for visuals, except open-source instead of chained to, ahem, Steinberg. (Music folks know why that’s annoying.) With OpenGL support in FF 1.5, FreeFrame plug-ins get hardware-accelerated visuals.

Big story #2: a new Resolume will be revealed soon. This weekend we finally get to see what’s in the future for Resolume, the cult favorite VJ app on Windows. It’s a preview, but it’s good news, and it’s a year and a half in the making according to Resolume’s makers.

I was trying to explain to someone why Resolume is still important. "But it looks toy-like, like the rest of them," they said. "But there’s all this stuff hidden, this quick access to basic techniques," I said. I do believe that. Of course, I may be even happier with what Resolume 3 brings.

Hey, happiness is mixing visuals with a Mac in one hand and a PC in the other…

We hope to have more details on Resolume 3 and FreeFrameGL 1.5 for you soon.

Anyone in Paris at Vision’r? Take photos, take video, write some quick thoughts — we’d love to hear from you!

Space exploration has had a deep impact on the way a lot of us see the world and think about our art. So I can’t wait for this Saturday’s Yuri’s Night Bay Area, which will bring a convergence of bleeding-edge music, art, technology, science, and visualism to a 12 hour-long party on NASA’s airfield outside San Francisco. We’ll be bringing some of the best of this event to you all around the world. Read or subscribe to RSS for our special minisite to make sure you don’t miss a thing, wherever you are on the planet; updates will continue live through the event and in the couple of weeks afterward:

yuricdm.com: Yuri + CDM + music + motion
yuricdm.com RSS feed

If you’re near the Bay Area, let us know if you’re coming to the event. We’d love help with photos, video, and coverage. And if you’re involved in a Yuri’s Night somewhere else in the world, let us know about that, too.

Here’s just a sample of the visualist angle at Yuri’s Bay Area:

I’ll be doing a two hour workshop in Boston on Processing for a conference on graphic design in education. My goal: get a group of educators and students unfamiliar with the tool up to speed as quickly as possible. I’m assembling a “90-minute” Processing code kit for the purpose, indebted to some of the existing examples but adapted to teaching; I’ll be open sourcing that on CDM Labs and certainly welcome input. (Stay tuned — and any of you other Processing folk out there had to do something like this? Ben Fry has a folder of code he uses, I know; Dan Shiffman has gobs of great stuff but it assumes a timeframe more like a semester.)

I’m really excited about the conference itself. There’s unfortunately far too little real focus on how media impacts teaching, and that’s exactly what this event addresses:

Massaging Media 2: Graphic Design Education in the Age of Dynamic Media conference will gather a diverse group of presenters and attendees from around the world for a provocative conversation on how graphic design education is being affected by dynamic media.

Through keynote presentations, panel discussions, multiple-track speaker sessions, a working lunch, and a breakfast roundtable, we will focus our discussion on five key subject areas: pedagogy; practice; theory; future history; and making it work.

In the lineup: designers of the future, kinetic typography, algorithmic design and open code, motion literacy (which unfortunately I think does NOT mean how many people are subscribed to our RSS, but hey), fluid, dynamic design, and naturally lots on pedagogy.

And I absolutely have to catch up Kyle Buza, who gave us the mmonoplayer Max 8-bit externals.

If you’re a student, you can attend the conference for as little as US$75; for everyone else you can register online for US$225 even without a membership in the AIGA, the sponsoring organization. And if you come, do say hi!

massagingmedia2

If you’re in Austin for South by Southwest Interactive, you’ll want to duck out of the parade of open bars Web companies are offering and check out some of the live music and visualism happening. Saturday night, I’m judging a laptop battle as CDMotion contributor Dan Winckler is the evening’s VJ. Monday, as proem, Lila’s Medicine, and I play music, we’ll have a live visual lineup courtesy Jay Smith of Livid Instruments.

AMODA Showcase + Laptop Battle [AMODA] = $4-7, or free with SxSWi badge

CDM Music + Motion Party [Upcoming.org; also on Facebook] = Free, no badge needed

SxSW @ CDM [Create Digital Music]

I unfortunately have to fly back to New York before SxSW Music begins, meaning I’m missing a pretty great lineup. Addictive TV is on the opening party Tuesday, right before Moby. (aka the closing party for Film) Anyone know of other good VJ lineups for the Music fest? If you’re going, would love show reports.

Not in Austin? View Some Viditar!

Speaking of Jay Smith and Livid, here’s Jay showing off the Viditar video instrument on some vintage TV — the now-dead Screensavers program. After all, it’s only fair to have something for the 99.5% of you not in Austin. Think of it as a vintage virtual Viditar vignette:

Imagine VJing with a stream of live snapshots from partygoers — or playing live data from the Web on email statistics as though it were a musical/visual instrument. The ability of tools like Processing to make numbers fluid opens up new interfaces to the storehouses of data on the Web — but also makes them friendly to artists and visualists.

I’ll be doing a workshop at South by Southwest Interactive in Austin with S. Joy Mountford, formerly VP Design Innovation, Yahoo and leader of the Yahoo Design Innovation Team aka yHaus. Joy certainly knows her stuff — not only did she lead a ground-breaking team at Yahoo, but she’s also supported student work and research and has a long history in interaction design including working on the original QuickTime interface. We’ll talk about the work being done, where we think these technologies are going, and how you can give it a try yourself.

Data as Art: Musical, Visual Web APIs [Event Page, SxSWi]

5:00 pm - 6:00 pm, Sunday, March 9

I used to be resistant to the idea of coding. It wasn’t just fear that I couldn’t do it, though that was part of it; it was also the sense that I wouldn’t be able to get to the actual art and music making if I got too involved in programming. And, actually, that bit can be true. But a group of pioneers, working on projects like Processing, OpenFrameworks, and other intelligent development frameworks, has been working really hard to make code an elegant an expressive tool rather than a hindrance. Processing has reached widespread popularity because it does this really, really well — even if you’ve never programmed before.

I’ll be teaching a three-part class on Processing at Harvestworks in New York next month. If you’re in the area, there should still be openings if you’d like to sign up (and if you’re enrolled, feel free to holler hi here — if I hear from you in advance, I can help tailor the course to your needs).

For intermediate digital artists, even those who have never coded before, we will introduce techniques in Processing. Processing is an elegant, high-level, Java-based tool designed to make coding friendly to artists. We will learn how to create generative art in just a few lines of code, building interactive works in minutes. We’ll also look at some of the deeper possibilities for manipulating data, video, images, sound, and MIDI and other I/O. The emphasis will be on basic sketches that help introduce fundamental coding skills.

Wednesdays, March 5, 12 and 19, 6:30 – 9:30pm
$325/$385

Class page / signup @ Harvestworks

The class will specifically focus on how to make video, 3D visuals, MIDI, and sound work for performance. Making Processing a performance tool definitely involves some particular skills. But I’ll also use this as an opportunity to teach very basic coding techniques so that unfamiliar programming topics can immediately generate something on the screen or some sound, since that’s part of the appeal of the whole tool.

But what if you’re not in New York?

We’ll soon have CDM Labs up, which will include examples from the team at CDM, plus other stuff from around the Web, not only in Processing but related tools, as well. I’ll use this as a playground for the course, so what I share with them, I can share with you. And, honestly, we hope this will help discipline us here to keep coding and keep documenting. More on that soon.

I’m also hoping to refine this course into something that can be offered elsewhere; if you’re interested, get in touch.

More on Processing:

Random sketchbook of mine, the kind of stuff you can put together in minutes

Flickr Processing pool

Processing videos on Vimeo

Processing tag on Create Digital Motion

Official Processing exhibition page