More Visualist Urban Legends: Hotplugging Firewire Kills Cameras?

By Jaymis

Peter’s post on projector orientation myths prodded my memory on an issue I encountered while picking up my shiny new camera. While finalizing the lease paperwork the sales guy went out of his way to bring my attention to a slice of A4 treeware contained within the box. The text printed on it prophesized a dire future for anyone plugging a firewire cable into their camera while the computer is switched on.

Precaution: i.LINK cable connection

Dan’s recent letter on the subject prompted me to post this to get some feedback from the visualist community. Has this happened to anyone? Has a manufacturer denied you warranty service because they say you plugged in your firewire cable backwards? Here’s the full text of the warning which came with my camera:

Sony Corporation of Hong Kong Limited
Broadcast and Professional Pacific Asia Company

Date: September 1, 2006

Precaution: i.LINK Cable Connection

- Before connecting the i.LINK cable to a computer or Sony unit, please check the direction of the jack. The i.LINK connector on the computer may be damaged or cause the unit to malfunction of you forcefully insert the jack. Please align [up arrow] mark of the i.LINK cable with [down arrow] mark on the Sony unit before insert the i.LINK cable.

- Please connect the i.LINK cable to a computer before connect it to the Sony unit. If you connect the i.LINK cable to the Sony unit first, it may cause the unit to malfunction caused by static electricity.

- When you connecting the Sony unit to any equipment with a 6-pin type i.LINK jack, always connect the cable to the 6-pin i.LINK jack first.

- When you connect the Sony unit to any equipment with a 6-pin type i.LINK jack, always power off the equipment and remove the power cord from the AC outlet while inserting the i.LINK cable. Fail to do above action may result in high current flow between the cable and the equipment, which may cause damage.

… Huh? I thought that hotplugging was part of what makes Firewire so great? Do other manufacturers have issues with this, or have Sony just done something daft in their design and not fixed it? The helpful guy I bought my camera from told me that you can buy a special surge-isolating firewire cable to prevent this, at a price of several hundred dollars.

Refresh: Asides

NAB News: Final Cut Studio 2 -

We’ll have more complete coverage once we have more time, but incase you’ve missed the news, Apple has announced Final Cut Pro 6, Compressor 4, Cinema Tools 4, Motion 3, Soundtrack 2, Color (formerly Final Touch 2K), and Final Cut Server (yes, server). Highlights include multi format timeline in FCP 6.0, Surround sound mixing in Soundtrack 2, 3D integration in Motion, RED support for 4K editing from a Macbook pro (yes, you read that right), and AJAs successor to their venerable IO, the HD/IO, which is a Firewire 800 HD/SDI video breakout box made specifically for mobile editing. More info : Apple.com Final Cut Studio 2.0,
Engadget’s keynote coverage, HD for Indies

Refresh: Asides

HD4NDs’ Mike on Building Your Own HD Workstation -

Mike of HD for Indies fame has an article on DV.com on building a workstation (Mac or PC) for HD editing and post/correction.

Getting the right gear involves lots of decisions. I often spend an hour or two reviewing filmmakers’ or producers’ needs before we arrive at a system recommendation. Every shop and every project has its own peculiarities, so don’t take this list as gospel. It might be worth (ahem) consulting with someone whose advice you trust to fine-tune your needs, budgets, expectations, technical comfort level, and other factors. Myriad little extras and doodads make the system complete, but those are beyond the scope of this article. Suffice it to say you’ll spend a bit more than the following tallies by the time you’re done.

Read more. [tags]hd, hd4nds, mac, pc, windows, osx, workstations, editing, production, hdtv, monitors, firewire, formats[/tags]