CDM Asks: What’s the Best, Low-End Visualist Camcorder?
Quite a few of you raised an eyebrow when we topped our gift guide with the Canon HV20, an affordable (as little as us$700) HDV camcorder. Like the New England Patriots (that’s American football for the rest of the world), the Canon HV20 appears to be largely unbeaten as the best-available visualist-friendly camera. It’s small, it’s light, it’s cheap, it does HDV, ’nuff said. It’s also eminently upgrade-friendly, with indie producers adding 35mm lenses and nifty accessories. And even those of you with larger, more powerful cameras occasionally want something you can toss in a backpack or use as a backup.
But that got me wondering — is the HV20 really One Camera to Rule Them All?
I have a couple of candidates I think could be interesting.
The big rival as far as HDV appears to be Sony. The HDR-HC7, for instance, has more sophisticated manual controls than the HV20, and I like Sony’s night-shot mode for extreme infrared applications. It’s also a little heftier than the Canon, in a good way — it’s a camera I find comfortable to hold. cnet even likes the Sony better than the HV20. (camcorderinfo.com begs to differ; see their link below) Like many things in life, it looks even cooler in Japanese.
Unfortunately, "manual control" on a consumer-level Sony means navigating the horrible touch screen interface, and worse yet the HDR-HC7 introduces a bizarre new manual focus multi-function control. (Translation: some strange add-on bit of plastic that’s utterly useless for controlling anything.) All that said, I do like Sony’s cameras, despite their quirks.
Here’s the problem: the HDR-HC7 is running a street of over $1100, while the HV20 is well below $800. Is the Sony $300 better than the Canon? (Heck, is the Sony better than the Canon, period?) Tough to justify, I think.
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HD4Indies’ Mike 
