AV technology is progressing rapidly. We now have two DJ/VJ mixers to choose from (Pioneer SVM-1000, Numark AVM02), most VJ apps will now play audio on video clips, and many DJ programs are incorporating video playback in their current or upcoming feature sets. Obviously these moves are following a trend: DVJ is totally hot right now. Our interweb tubes are being filled with youtubes, video mashups and remixes are constant viral video hits… The time for AV to go mainstream is now, and we’re going to see the next generation of performance innovators rise, buoyed up by these new, accessible, and immensely capable tools.

I spent last night a guest of VJ Morph at Brisbane’s Tivoli Theatre, for the last show of the Smirnoff Secret Sessions Australian tour.

Headlining the show: DJ Yoda with a DVJ set. Yoda is obviously a talented DJ, but as a visualist I was entirely underwhelmed by his performance. The source material was uninventive - mostly popular movies and music videos - with low resolution and compression artifacts telling us that much of the content was ripped from youtube. Technical nitpicking aside, the set wasn’t assembled with much regard for editing, visual storytelling, coherence, or even visual interest. There were occasional inventive tricks, nice material selection, and some proficient scratching and sample triggering, but the bulk of the visual set was comprised of clips playing through towards their full length, generally in their original unedited form, and often completely at odds with the accompanying audio. Old black and white movies would be scratched in for their vocal samples, and then continue to play as the audio segued into some unrelated track. Aside from a sprinkling of original content, the videos were solidly uninspiring, and probably overfamiliar to most internet-age, youtube slurping punters.

Despite the hype, the Pioneer SVM-1000 didn’t help matters, its video effects looked cheesy on first appearance, and positively hackneyed by the fourth time the page-spin and tile-shuffle were dropped in. There were some crowd-pleasing pop culture moments - scratching audio and video definitely has the ability to wow an audience - but anyone with a more than rudimentary knowledge of video would have been hard pressed to find “next level” visual performance here, and by the end of the 90 minute set even the crowd was losing focus between the humorous video interludes and old-favorite tracks.

So how can we go about fostering real innovation in AV, “popular”, music performance. The short term solution is obvious: Have a visualist to take care of the video.

Various political remix videos have climbed their way up the YouTube charts, including many forcing soon-to-be-former President Bush to sing various songs. But is interest in the activity enough to warrant an entire online community dedicated to the topic? The creators of the new site RemixAmerica.org, launching in beta today, think so.

With YouTube already a popular hub for bizarre political remixes, RemixAmerica tries to bring some extra features to the table. They upload content to use, from Lincoln’s Gettysburg Address (really) to “I Have a Dream” to current figures. Seen John McCain’s "summer of love" ad? Click "remix," and it’s yours, for editing via an online tool in basic or advanced versions or in your own editor of choice. The site also hosts discussions, enabling video remixers and vloggers to communicate with one another. There’s even a feature that allows you to “talk back” with your webcam – so if you don’t want to bother remixing that McCain ad to the song “Age of Aquarius,” you can just shout at your screen instead.

The site has quite a founder behind it — none other than progressive activist and TV legend Norman Lear. Lear, creator of The Jeffersons, Sanford and Son, and All in the Family was also a political activist. He filmed a celebrity-laden dramatic reading of the U.S. Declaration of Independence, founded People for the American Way, and frequently used TV as a political weapon for advocacy. (Photo: mrfilms1)

Here’s Lear himself introducing the new site:

The remix tool itself is very cool – you can import videos straight from YouTube. Actual editing is tough, though, so I suspect people will stick to their trusted editors. But the community could be the thing that lets American visualists stay sane through the oncoming Presidential campaign.

You can certainly expect more of this sort of thing — Blair and Bush’s "love that dare not speak its name" was something many had observed, but perhaps it was more meaningful when it became musical.

We’re big fans of NIN’s new album, Ghosts. Now, visualists will get to freely interpret the album in an open YouTube “festival”…

I’ve come out of my self-imposed solitary confinement only due to my man love for Trent Reznor. (Don’t ask.) Following up on the huge success of the Ghosts I-IV release (grossing a cool $1.6 mil during the first week), Trent is announcing a partnership with YouTube to present a user-submitted film festival for works inspired by Ghosts. From NIN.com:

First of all, a sincere THANK YOU for the response to Ghosts. We are all amazed at the reaction for what we assumed would be a quiet curiosity in the NIN catalog. My faith in all of you has been restored - let’s all go have coffee somewhere (my treat)!

Today we announce the expansion of the Ghosts project into the visual world. This record began as an experiment with us using sound as a means to describe visuals. Early in the project we thought it would be interesting to see what the community could create / collaborate on as a reaction to the music we were making. We wanted to keep the canvas as blank as possible for you, hence the lack of descriptive song titles and the primarily textural artwork and packaging.

So here’s the plan: we’ve teamed up with YouTube to host a “film festival” around Ghosts. The concept is for you to take whatever tracks you feel inspired by from Ghosts and create what you feel should accompany them visually. You will be able to see all of the submissions, and a team of us (including me) will be sorting through them and setting aside ones we feel are exceptional. Eventually (within a couple of months?) we will present a virtual “film festival” with me and some special guests presenting selections of your work.

This isn’t a contest and you don’t win elaborate prizes - it’s meant to be an experiment in collaboration and a chance for us to interact beyond the typical one-way artist-to-fan relationship. We’ve discussed some interesting ways this could go, including multiple installments of the online “film festivals,” to broadcast TV specials, to a one-time live performance of the entire Ghosts record with your visuals involved. It really depends on how this progresses and develops.

We are all very much looking forward to what you come up with, and hope you enjoy the experience. Visit our YouTube channel for information on how to participate.

NIN’s music has been and continues to be some of the most visually inspiring and cinematic music I listen to; now here’s a chance for myself — and everyone else — to freely be share their work and use NIN’s music without repercussion. If only there were more time!

For those of you who didn’t make the awesome CDM Party last Friday night after NAMM, I’m pleased to bring you a recording of the live AV Remix that I performed with Acid&Bass.

Karate Kid AV Remix from momo_the_monster on Vimeo.

Performed live at the Unofficial NAMM After-Party using 3 MIDI-synced machines:

Video Machine:
Operated by Momo the Monster
Software: Isadora (custom patch for show)
Hardware: MacBook Pro, Monome 128, UC-33e, E-MU 0404

Audio 1:
Operated by Shane Hazelton
Software: Max/MSP With custom software IMPS (Improvisational Media Performance System), Lucifer
Hardware: Receptor VST plugin Player with Zounds of VSTs, Novation Remote 25, BCR 2000

Audio 2:
Operated by Stephan Vankov
Software: Ableton Live, Lucifer Plug-in (sending MIDI to Video Station)
Hardware: Mac, BCR2000, MPD16, Remote25LE, AirFX, NuVJ

Artist Caveats: This version was cut from the original 25+minute length to a more internet-friendly 7-1/2 minutes. Also, this is version one of the performance - we rehearsed only twice before this show, this is really our first run-through with everything (mostly) working. Comments welcome as we continue to develop the idea.

Karate Kid live remixing music performance from Create Digital Media on Vimeo.

Every weekend Create Digital Motion will (try to) feature some small doses of inspirational material - things we find compelling enough to get our creative juices flowing - and hopefully yours as well.

First up: videos.antville.org - Users submit new and old music video links. Updated many times during the day, videos.antville.org contains a metric <expletive ton> of videos. Browse it, you are sure to find something cool, fun, different, weird, and never before heard of. At least you won’t be bored.

Ffffound - Image bookmarking with a brain - Ffffound’s image engine not only shows you images, but recommends them to you based on other users’ tastes and bookmarks. Ffffound is in beta, and registration is closed, but people are posting some pretty quality stuff. I’ve fffffound (ahem) quite a few inspirational images, and check it at least once a day. Good stuff.

Video would be nowhere without music - so if you haven’t already, be sure to check out NIN’s fan remix site. For those who aren’t NIN fans, its not all moody and dark, there are some inspirational soundtracks that cant help but invoke some imagery.

Please feel free to share any inspirational material - we’d love to feature it here at CDMotion. Thanks!

The SciFi channel has released some chunky packs of footage, music and sound effects, and invited web users to remix and create videos. Ostensibly this is a competition, with the winning video airing on the channel during a future Battlestar episode…

Which I’m sure will be lovely for whoever wins. I don’t really care though, because I’m seeing a swathe of great A/V mashups and theme remixes appearing in the coming months. I can guarantee that there will be Battlestar breakdowns appearing in the next gig I play with Segue21.

The videos are available in AVI and Quicktime, with both Land and Space clips represented, and there are handy “download all” links. The Quicktime packs are bigger (higher quality?), so I’m getting those: 733MB all up. They’re not really anything you couldn’t get from your own DVD collection, but it’s great to see a TV channel being proactive about remix culture. Hopefully next time they’ll give us alpha-matted effects comps of bluescreen shots so we can bring the actors and explosions into our own work.

Download Site.

Via BoingBoing