Various political remix videos have climbed their way up the YouTube charts, including many forcing soon-to-be-former President Bush to sing various songs. But is interest in the activity enough to warrant an entire online community dedicated to the topic? The creators of the new site RemixAmerica.org, launching in beta today, think so.

With YouTube already a popular hub for bizarre political remixes, RemixAmerica tries to bring some extra features to the table. They upload content to use, from Lincoln’s Gettysburg Address (really) to “I Have a Dream” to current figures. Seen John McCain’s "summer of love" ad? Click "remix," and it’s yours, for editing via an online tool in basic or advanced versions or in your own editor of choice. The site also hosts discussions, enabling video remixers and vloggers to communicate with one another. There’s even a feature that allows you to “talk back” with your webcam – so if you don’t want to bother remixing that McCain ad to the song “Age of Aquarius,” you can just shout at your screen instead.

The site has quite a founder behind it — none other than progressive activist and TV legend Norman Lear. Lear, creator of The Jeffersons, Sanford and Son, and All in the Family was also a political activist. He filmed a celebrity-laden dramatic reading of the U.S. Declaration of Independence, founded People for the American Way, and frequently used TV as a political weapon for advocacy. (Photo: mrfilms1)

Here’s Lear himself introducing the new site:

The remix tool itself is very cool – you can import videos straight from YouTube. Actual editing is tough, though, so I suspect people will stick to their trusted editors. But the community could be the thing that lets American visualists stay sane through the oncoming Presidential campaign.

You can certainly expect more of this sort of thing — Blair and Bush’s "love that dare not speak its name" was something many had observed, but perhaps it was more meaningful when it became musical.

If you’re in Austin for South by Southwest Interactive, you’ll want to duck out of the parade of open bars Web companies are offering and check out some of the live music and visualism happening. Saturday night, I’m judging a laptop battle as CDMotion contributor Dan Winckler is the evening’s VJ. Monday, as proem, Lila’s Medicine, and I play music, we’ll have a live visual lineup courtesy Jay Smith of Livid Instruments.

AMODA Showcase + Laptop Battle [AMODA] = $4-7, or free with SxSWi badge

CDM Music + Motion Party [Upcoming.org; also on Facebook] = Free, no badge needed

SxSW @ CDM [Create Digital Music]

I unfortunately have to fly back to New York before SxSW Music begins, meaning I’m missing a pretty great lineup. Addictive TV is on the opening party Tuesday, right before Moby. (aka the closing party for Film) Anyone know of other good VJ lineups for the Music fest? If you’re going, would love show reports.

Not in Austin? View Some Viditar!

Speaking of Jay Smith and Livid, here’s Jay showing off the Viditar video instrument on some vintage TV — the now-dead Screensavers program. After all, it’s only fair to have something for the 99.5% of you not in Austin. Think of it as a vintage virtual Viditar vignette:

The picture says it all. BBC Research & Innovation is considering presenting video in surround. Just as audio surround assumes a still-central source, enhanced by additional material in the 360-degree audio field, the idea here is to capture ambient visuals using a fish-eye lens and then project that beyond the screen.

Of course, whatever the (uh, dubious, potentially) practical applications of such technology, there are plenty of compelling directions this could lead VJs. In general, the ability to control more of the environment and break out of the rectangular frame helps live visuals and installations. And there are other consumer, examples, as well: TV maker Phillips has toyed with creating ambient, colored light that matches the on-screen image with Ambilight, something DIYers have already cloned (see Hack a Day).

Hmmm.. I think BBC should just give us all projectors and we’ll go work on it, eh?

Graham Thomas, one of the researchers, explains:

Surround Video is a means of visually immersing the viewer into a TV programme.

It is like surround sound, an optional extra that enhances viewing on a normal display. The idea is to use a wide angle (or fisheye) camera fixed rigidly alongside the normal camera shooting the programme, and project the image onto the walls, ceiling and floor of the viewer’s room.

Wait, you know, this could have practical applications — making English children hide behind the couch even more readily during Doctor Who.

Pic Of The Day: Surround Video [BBC Internet Blog]

Via ChromaTouch, aka Leon Trimble

It’s happening. Slowly, slowly, VJ as term that means “host of silly music video show” is being supplanted by VJ as “master of live visual performance at a club or other venue.” In the meantime, though, we get to enjoy unintentionally hilarious images, like this one, found at music video cable network Fuse.

Okay, hilarious to a tiny segment of the population that is us.

Hey, I remember right before my first-ever Eyewash (NY party), crying into my diary…

Message to FUSE: if we put this on a t-shirt, will we hear from your lawyers?

In case you haven’t seen it, several readers wrote in to tell us about how the “journalists” at Gizmodo went around CES disabling video screens. The invention used to do it — the TV-B-Gone — is capable of far more worthy goals, like disabling the invasive crap on Fox News at an airport. (Addendum: unless anyone mistakes me as someone brave enough to operate a TV-B-Gone, see comments. I’m not. I’m a wimp. But just for the sake of argument, let’s assume this could be used for good.) Here, Gizmodo simply tortures presenters at press events they were invited to. Cool? Uh, no, not particularly.

Confessions: The Meanest Thing Gizmodo Did at CES

Now, we like mischief us much as the next guy. But randomly killing displays? Consensus of the CDMers I’ve talked to is that this is more wrong than funny — not to mention, we don’t need any special technology to have fancy flat-panel displays stop working. Worse, bloggers fighting for credibility have to deal with the antics of the Gizmodo crew (see cnet Crave’s take on that) — and this could unfairly vilify a wonderful invention. After all, the beauty of TV-B-Gone is that it gives people control over invasive TVs in their environment. This prank did the opposite.

I think we need a code of TV-B-Gone ethics: disable the TV screens that are asking for it, folks.

Dan Reetz points out that a previous blogger at Gizmodo (we can’t say whom, as it seems to date from a period without bylines in 2004), said of the TV-B-Gone creator “Mitch Altman is an asshole,” and that “the TV-B-Gone has a single purpose: to power off televisions whenever the user feels like being a dick.” Prophetic words.

The SciFi channel has released some chunky packs of footage, music and sound effects, and invited web users to remix and create videos. Ostensibly this is a competition, with the winning video airing on the channel during a future Battlestar episode…

Which I’m sure will be lovely for whoever wins. I don’t really care though, because I’m seeing a swathe of great A/V mashups and theme remixes appearing in the coming months. I can guarantee that there will be Battlestar breakdowns appearing in the next gig I play with Segue21.

The videos are available in AVI and Quicktime, with both Land and Space clips represented, and there are handy “download all” links. The Quicktime packs are bigger (higher quality?), so I’m getting those: 733MB all up. They’re not really anything you couldn’t get from your own DVD collection, but it’s great to see a TV channel being proactive about remix culture. Hopefully next time they’ll give us alpha-matted effects comps of bluescreen shots so we can bring the actors and explosions into our own work.

Download Site.

Via BoingBoing